Double Note Scales (Part 6/7)

In case you missed it, please check out my post on major seconds.

If you work on all these exercises, hopefully by this time your fingering-intuition is getting better. Your muscles just know where your fingers go even though you haven’t worked out anything specific. They just feel it. That’s great. That’s where you want to be.

The next two posts deal with some interesting exercises that make double-note scales more practical. First, is using the fingering from double-note scales to create interesting single-note patterns. For example, minor thirds:

Fingering Minor Thirds Broken

And major seconds:

Fingering Major Seconds Broken

Be sure to check out the other intervals too! You’ll find patters like these are easier and easier to learn and apply to your playing:

A bop scale:

Fingering Bop Scale Broken

A diminished scale pattern:

Fingering Diminished Scale Broken

Another diminished scale pattern:

Fingering Diminished Scale Broken Variation

There are countless others, but hopefully this gives you some ideas! And if you check out all these chromatic fingerings, you’ll be playing these like they’re nothing. Trust me!

Stay tuned for Part 7!