Here’s a link to part 7.

Quick recap: When it comes to playing solo piano, I’m always wrestling with physical issues, aesthetical issues with audiences and subsequently, issues getting gigs.

I decided to pursue solo piano for a number of reasons. One reason was because of its lack of representation. What do you think the ratio is between ensemble jazz pianists versus solo jazz pianists? How many jazz pianists have released more solo records than ensembles records? My guess is that it’s very unbalanced. I see an opportunity; there’s a void to be filled!

Side Note: Why is it unbalanced? Is the community to blame? The pianists? The listeners? The business? The tradition?

I’ve come to terms with many of the aesthetical issues surrounding solo piano. I mentioned previously that I can’t change listeners’ interests and that all I can do is share mine. But then again, maybe I can change their interests…

From part 6: “Could a Joe ever become a Bob? Whose job is it to convert him?”

If Joe represents an individual, then no, I don’t think he can ever change. But if Joe represents the culture or community, then yes, change is possible…gradual change. After my performance at Hermann’s in Victoria BC in October, I had a number of listeners comment that they wished Hermann’s would host more solo piano performances. That’s a start!

It was a magical evening; solo pianists can make powerful impressions. My hope is for students to pursue the glory of solo piano, as I am.

You can expect much more solo piano from me in the coming years!

Thanks for reading!